With a career spanning theatre, musical theatre, and opera, Johnathon has directed a wide range of productions within the professional arena and in top-level training programs. He is a long-standing member of SDC—the Stage Directors and Choreographer’s Society—and AGMA—the American Guild of Musical Artists, as well as the Performer Development Network with Opera America. A full CV is available upon request.
Ain’t Misbehavin’ (Waller)
Albert Herring (Britten)
Andrea Chénier (Giordano)
Anything Goes (Porter)
Ariadne auf Naxos (R. Strauss)
Il Barbiere di Siviglia (Rossini)
La Bohème (Puccini)
Candide (Bernstein)
Carmen (Bizet)
Cavalleria Rusticana (Mascagni)
The Consul (Menotti)
Così fan tutte (Mozart)
The Cunning Little Vixen (Janáček)
Dead Man Walking (Heggie)
Dialogues des Carmélites (Poulenc)
Don Giovanni (Mozart)
Don Pasquale (Donizetti)
Driving Miss Daisy (Uhry)
Eastern Standard (Greenberg)
L’Elisir d’Amore (Donizetti)
Eugene Onegin (Tchaikovsky)
Evita (Webber/Rice)
Falstaff (Verdi)
La Fille du Régiment (Donizetti)
Die Fledermaus (J. Strauss)
Flight (Dove)
A Funny Thing…Forum (Sondheim)
Glory Denied (Cipullo)
Griffelkin (Foss)
Hansel and Gretel (Humperdinck)
L’Heure Espagnol (Ravel)
La Hija da Rappaccini (Catán)
H.M.S. Pinafore (Gilbert & Sullivan)
Into the Woods (Sondheim)
In Trousers (Finn)
Iphigénie en Tauride (Gluck)
L’Italiana in Algeri (Rossini)
Jenůfa (Janáček)
Kiss Me, Kate (Porter)
Little Me (Coleman)
A Little Night Music (Sondheim)
Madama Butterfly (Puccini)
Master Class (McNally)
Molly Sweeney (Friel)
The Most Happy Fella (Loesser)
Le Nozze di Figaro (Mozart)
Of Thee I Sing (Gershwin/Kaufman)
On Your Toes (Rodgers/Hart)
110 in the Shade (Jones/Schmidt)
Orphée et Eurydice (Gluck)
Peter Pan (Stein/Leigh/Charlap)
A Piece of My Heart (Lauro)
Porgy and Bess (Gershwin)
Pump Boys and Dinettes (Wann et al)
The Robber Bridegroom (Waldman/Uhry)
The Secret Garden (Simon/Norman)
Street Scene (Weill)
Sweeney Todd (Sondheim)
The Taming of the Shrew (Shakespeare)
Tartuffe (Moliere)
Ten Little Indians (Christie)
This Is the Rill Speaking (Hoiby)
Thumbprint (Sankaram)
Tosca (Puccini)
La Traviata (Verdi)
Trelawney of the “Wells” (Pinero)
Working (Schwartz/Faso/etc.)
Die Zauberflöte (Mozart)
Academy of Vocal Arts, Philadelphia, PA
Artpark, Lewiston, NY
Ashlawn-Highland Festival, Charlottesville, VA
Atlanta Opera, Atlanta, GA
Boston Conservatory at Berklee, Boston, MA
Bronx Opera, Bronx, NY
Chautauqua Opera, Chautauqua, NY
Cincinnati Opera ECCO, Cincinnati, OH
Coast Playhouse, Los Angeles, CA
Dayton Opera, Dayton, OH
The Director’s Company, New York, NY
Eastman Opera Theatre, Rochester, NY
Fairfield University, Fairfield, CT
HaBimah National Theatre, Tel Aviv, Israel
Lyric Opera of Cleveland, Cleveland, OH
Lyric Opera of Kansas City, Kansas City, MO
Maine State Theatre, Brunswick, ME
Manhattan School of Music, New York, NY
Madison Opera, Madison, WI
Mississippi Opera Festival, Jackson, MS
Mobile Opera, Mobile, AL
New York City Opera, New York, NY
Opera Delaware, Wilmington, DE
Opera Omaha, Omaha, NE
Pennsylvania Opera Theatre, Philadelphia, PA
Portland Opera, Portland, OR
Quincy Conservatory, Quincy, IL
San Diego Opera, San Diego, CA
Sarasota Opera, Sarasota, FL
Seagle Festival, Schroon Lake, NY
Skylight Opera Theatre, Milwaukee, WI
Southern Illinois University, Carbondale, IL
Tri-Cities Opera, Binghamyon, NY
Tulsa Opera, Tulsa, OK
University of Northern Iowa, Cedar Falls, IA
Utah Opera, Salt Lake City, UT
Venture West Theatre, Los Angeles, CA
Virginia Opera, Norfolk, VA
Wolf Trap Opera, Vienna, VA
THE CONSUL
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